Bowie, Beckett, and Being 1st Edition

Grabbing readers from the first line, Bowie, Beckett, and Being (1st Edition) by Rodney Sharkey reframes two cultural icons through a bold, interdisciplinary lens. This compelling study pairs the theatrical minimalism of Samuel Beckett with the chameleonic artistry of David Bowie to explore identity, performance, and the philosophy of self in modern culture.

Sharkey’s lucid prose guides readers through close readings and cultural context, revealing unexpected links between avant‑garde literature and popular music. Chapters examine themes of alienation, embodiment, voice, and persona, bringing scholarly rigor and accessible narrative to discussions ideal for academics, students, and devoted fans alike. Sharp case studies and theoretical insight make complex ideas approachable without compromising depth.

Collectors and newcomers will appreciate this 1st edition’s thoughtful organization and enduring relevance. Whether you’re researching modernist aesthetics, teaching a course on performance and identity, or simply curious about how Bowie’s stagecraft dialogues with Beckett’s dramatics, this book delivers fresh perspectives and practical applications for analysis and classroom use.

Perfect for libraries, university courses, and personal collections from London and Dublin to New York and Melbourne, Bowie, Beckett, and Being stands out as a bridge between musicology and literary criticism. Add this essential volume by Rodney Sharkey to your shelf and deepen your understanding of how art shapes—and reflects—the self. Secure your copy today and join the conversation at the crossroads of music, literature, and philosophy.

Note: eBooks do not include supplementary materials such as CDs, access codes, etc.